Sincerely, Victor Pike

Gregor Petrikovic

AI generated video, audio recordings, sound by Hannah Stewart

12'22”
2024

Synopsis:

Sincerely, Victor Pike is built upon an archive of audio recordings collected since 2016, featuring conversations with friends, partners, and acquaintances. The film intertwines AI-generated visuals with narratives of people who never met in time or space, coexisting in the memory of a semi-fictional character, Victor Pike. The work raises questions about the capacity of technology and AI-generated visuals to preserve the ephemeral nature of human interactions and the potential of new ways of visual storytelling in maintaining our shared humanity.

Trailer

Awards

SOLO AI Award 2024, Colección SOLO, Madrid, ES

World Premiere

International Documentary Film Festival Amsterdam, Amsterdam, NL

Selected Exhibitions

IDFA DocLab, Amsterdam, NL
Solo Contemporary, Madrid, ES
Sónar+D Festival, Barcelona, SP
Posthuman Solidarities (Videocity), Goethe-Institut, London, UK
Runde Ecke Riesa Efau (Videocity), Kultur Forum, Dresden, DE
Zygote, Culterim Gallery, Berlin, DE
Kunsthalle Bratislava, Bratislava, SK

Statement:

I started recording these conversations during my time at university to help with my clinical memory loss. Over time, the project expanded, and I couldn’t keep up with reviewing the material, resulting in a vast archive of conversations spanning hundreds of hours. It wasn’t until a residency in New York last year that I began to dive into these recordings, using AI to transcribe conversations that had faded from memory. After transcribing and printing these dialogues, I began calling them ‘scripts of life’ as they appeared to be a strange blend of documentary material wrapped up in the formal structures of a script created by the AI software. I realised that, due to the nature of fleeting recollections, generative AI was the perfect fit for this project of memory reconstruction. 


Even though this is an AI-driven project, its heart remains deeply human. It reflects a distinct, diverse, geographically and chronologically varied community—of queers, yet not only. Strangely, it is a community of queers also in the original sense of the word, since none of these people really met, either in time or in space, but only in my memory. With this work, I aim to highlight the essence of what constitutes a community, exploring how it is framed and formed, and, most importantly, how it is maintained and cared for.

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Me vs. You